More or less pronounced negative connotation, as follows literary mystification in the time of thei

The need to reread the mystification in the literature | Reper http://free-slots.us.org/
More or less pronounced negative connotation, as follows literary mystification in the time of their most common appearance, it seems that today is still an obstacle to a fundamental reassessment them and taking their rightful place in literature and culture in general. Especially so when it comes to the mystification in the literature, therefore, despite its more than semicentennial unfettered development, Macedonian literary science still not devoted enough attention or as a broader phenomenon, any such individual, ie individual occurrences of mistificiranje. Analytical haggar attention, but they deserve it today primarily as a remarkably specific, but everything haggar seems inevitable occurrence in the literature and in the second half of the XIX century. We love you all, today, and more substantial to determine the appearance, characteristics and na date Macedonian literary mystification, never could stick to only really acceptable existence of a genuine cult folklore [1] at the time of the Macedonian national -culture revival. We now, namely, in discussions about mystification could not to raise more questions about more and nashiteslozheni national conditions in the said period, as it could not start and did not finish thinking about them more and conclusion that it is regularly an unusual meeting between folk art and literature. Certainly primarily mystification is a border appearance, border and the nation, border and artistic creation. Mostly because the mystification, of course, not only and not so much in our world beyond, very interesting phenomenon that characterizes the time of the greatest revivals and reorganization of the peoples of Europe. Someone, however, present and future and strive for new and redefinitions of peoples and history to our mystification will not let turns especially analytical attention.
Our modern twist to Macedonian mystification not only will you not to remind us that our first new Macedonian literature, despite its developmental disadvantages in the XIX century, not only applies very different in this regard from many other literatures, but that right through mystification today could dorazjasnuvame some more or less still insufficient or inappropriate clarified conditions and dark places in our so much attacked and channeled, and therefore less complicated literary and national development in the period. Of course, not only because some of mystification in the literature haggar already then stirred scientific circles in the entire Slavic and folkloristic world throughout Europe. This is a bit late to turn reafirmativno Macedonian literary mystification of the XIX century, otherwise, it is not without some special intentions. Especially in the field and in the context haggar of recent analytical readings and readings as the new Macedonian literature and Macedonian XIX century general. Here and now, namely, we are not without intention with this turn perhaps to one, at least in some things, reinterpreting especially those Macedonian literary artists of the period haggar of time beyond perceived national-cultural haggar renaissance as javuaat (s) as mystificators. Especially because, with the creation of mystification, they almost all, or start or stop with his literary work but mystification usually only one segment to / from their wider creative assets.
I start with the example of probably the first mystifier in the literature for which we know or for whom it is safe to say that mystify Jordan Konstantinov-Giant, which some of their songs will publish as popular in the mid 50s of the XIX century haggar we can not avoid the first issue of the motivation of the Macedonian artists from the XIX century some of his poetry works to create the spirit of folk poetry and publish them as people. Can, for example, this response to give themselves mystification of gin or those answers should be looking more broadly at his versatile literary, educational and cultural assets. Question is, namely, how we, first through his shortest song Chorus compensation from tongue bolgarskago in Macedonia, even through much longer (175 verses) Wedding Iva Meglena Bulgarians from Duke in carstvovanieto carja Shishman that (after several years break, as result of his cooperation with Belgrade), in 1859 returns to the pages of Caregradski newspaper and published as folk songs, fast and easy to realize the intention klasicistichkiot and Enlightenment-rational creative spirit of gin for any approaching, ie