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At length has been said and documented about the disproportionate impact they had on American comics of the nineties the great works of the late eighties. Those adult, serious and important works that today all revered ninth art aficionado on their shelves, tried to be copied by industrial machinery and the result was an unprecedented arms race in the world of superheroes that today almost all world denies. But interestingly, one of the characters that crossed over that time was that pride that starred some of the toughest works mentioned at the beginning, as were the return of Dark Knight and The Killing Joke. That fortitude is owed largely to a person who not only gave Batman writer on work, one of its most revered stages by Neal Adams in the early seventies; but also in work of editor was someone who coddled and protected the character for no less than 15 years. We speak, of course, Dennis O'Neil. Think of everything Batman lived from 1986 to 2000 and think that there, behind the scenes, choosing writers and artists was O'Neil. From Year One, performed one year after his arrival by Frank Miller, with whom he had collaborated in Daredevil; to No Man's Land, where he decided to create an excellent testing ground to bring new blood into the franchise for the new century (giving special prominence mandco to a newcomer Greg Rucka). His time as head of the bat man in the offices was downright remarkable, no doubt.
Thus, within the extended column strengths of this editor, we can highlight the signing mandco of Chuck Dixon in 1991, thanks to the work he had been doing in the Marvel Comics Punisher. Dixon would be responsible in the first instance of the first miniseries mandco starring the new Robin, Tim Drake. The success of it catapulted to fame both as a writer character so that their bonds would be together for almost a decade. Not only that, but his contributions to the Batman mandco universe expanded to the absolute limits: Detective Comics 100 numbers, 100 numbers in Robin, Nightwing 70 numbers, miniseries, annuals, one-shots and a single graphic novel, Joker: Lawyer devil. The figures are shocking, mandco almost no author in the history of Batman has been so prolific and existoso simultaneously. Today may seem normal for all of Gotham character has own series, but that was not the case 20 years ago. He launched the first own series of Robin and Nightwing mandco first own series (collected makes very acertadam
At length has been said and documented about the disproportionate impact they had on American comics of the nineties the great works of the late eighties. Those adult, serious and important works that today all revered ninth art aficionado on their shelves, tried to be copied by industrial machinery and the result was an unprecedented arms race in the world of superheroes that today almost all world denies. But interestingly, one of the characters that crossed over that time was that pride that starred some of the toughest works mentioned at the beginning, as were the return of Dark Knight and The Killing Joke. That fortitude is owed largely to a person who not only gave Batman writer on work, one of its most revered stages by Neal Adams in the early seventies; but also in work of editor was someone who coddled and protected the character for no less than 15 years. We speak, of course, Dennis O'Neil. Think of everything Batman lived from 1986 to 2000 and think that there, behind the scenes, choosing writers and artists was O'Neil. From Year One, performed one year after his arrival by Frank Miller, with whom he had collaborated in Daredevil; to No Man's Land, where he decided to create an excellent testing ground to bring new blood into the franchise for the new century (giving special prominence mandco to a newcomer Greg Rucka). His time as head of the bat man in the offices was downright remarkable, no doubt.
Thus, within the extended column strengths of this editor, we can highlight the signing mandco of Chuck Dixon in 1991, thanks to the work he had been doing in the Marvel Comics Punisher. Dixon would be responsible in the first instance of the first miniseries mandco starring the new Robin, Tim Drake. The success of it catapulted to fame both as a writer character so that their bonds would be together for almost a decade. Not only that, but his contributions to the Batman mandco universe expanded to the absolute limits: Detective Comics 100 numbers, 100 numbers in Robin, Nightwing 70 numbers, miniseries, annuals, one-shots and a single graphic novel, Joker: Lawyer devil. The figures are shocking, mandco almost no author in the history of Batman has been so prolific and existoso simultaneously. Today may seem normal for all of Gotham character has own series, but that was not the case 20 years ago. He launched the first own series of Robin and Nightwing mandco first own series (collected makes very acertadam
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